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09816bb9 1#title A Not So Fancy Listing of Books
2
3
4* Douglas Adams
5
6
7
8** Hitchiker's Guide to the Galaxy (collected)
9
10*Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction*
11
12
13
14
15** The Long Dark Tea-Time of the Soul
16
17*Rating:* <class name="rating-good"> ••••••</class><class name="rating-bad">•••• </class> (6) / *Fiction*
18
19
20
21
22* Aeschylus
23
24
25
26** Oresteia
27
28*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction*
29
30
31
32
33** Prometheus Bound
34
35*Rating:* <class name="rating-good"> •••••••••</class><class name="rating-bad">• </class> (9) / *Fiction*
36
37
38
39
40** The Persians
41
42*Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction*
43
44
45
46
47* John Allison
48
49The author of the rather amazing [[http://scarygoround.com][Scary Go Round]].
50I highly recommend procuring the printed collections; the printing
51quality is superb (full color on glossy paper), and the long story
52arcs are much easier to read.
53
54** Looks, Brains and Everything
55
56*Fiction*
57
58
59
60
61** Blame the Sky
62
63*Fiction*
64
65
66
67
68** Skellington
69
70*Fiction*
71
72
73
74
75** The Retribution Index
76
77*Fiction*
78
79
80
81
82** Great Aches
83
84*Fiction*
85
86
87
88
89** Ahoy Hoy!
90
91*Fiction*
92
93
94
95
96** Heavy Metal Hearts and Flowers
97
98*Fiction*
99
100
101
102
103** Ghosts
104
105*Fiction*
106
107
108
109
110* Anonymous
111
112
113
114** Chymical Wedding of Christian Rosenkreutz
115
116*Fiction*
117
118
119
120
121* Aristophanes
122
123
124
125** The Frogs
126
127*Fiction*
128
129
130
131
132** The Clouds
133
134*Fiction*
135
136
137
138
139** Ecclesiazusae
140
141*Fiction*
142
143
144
145
146* Aristotle
147
148
149
150** Ethics
151
152*Nonfiction*
153
154
155
156
157** Categories
158
159*Nonfiction*
160
161
162
163
164** Poetics
165
166*Nonfiction*
167
168
169
170
171** Rhetoric
172
173*Nonfiction*
174
175
176
177
178* Marcus Aurelius
179
180
181
182** Meditations
183
184*Rating:* <class name="rating-good"> ••••</class><class name="rating-bad">•••••• </class> (4) / *Nonfiction*
185
186At the time, I enjoyed reading this collection of meditations on
187Stoic philosophy, and it was a fairly quick read (fifteen minutes a
188day over the course of two weeks for me). Nowadays I've read
189Epictetus, and I suggest reading his *Discourses* instead.
190
191
192* William Blake
193
194Blake is my [[William Blake][favorite]] of the English poets. His
195unique use of relief etching and watercoloring makes for very
196interesting Illuminated works. There is a very high quality
197[[http://blakearchive.org][complete archive of Blake's works]] online
198with high resolution plate scans and full transcriptions among other
199things.
200
201** The Four Zoas
202
203*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction*
204
205The unfinished manuscript of Blake's longest apocalypse. The
206Four Zoas divide from Albion and rage through the ages of dismal woe
207to bring about the end of the cycle of Ulro and restore the cycle of
208Beulah.
209
210
211** Jerusalem
212
213*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction*
214
215The finest of Blake's Illuminated works.
216
217
218* Mike Carey
219
220
221
222** Lucifer (series)
223
224*Rating:* <class name="rating-good"> ••••••</class><class name="rating-bad">•••• </class> (6) / *Fiction*
225
226Of the *Sandman* spinoffs, *Lucifer* stands out as the best for
227the first half, but then the writer appears to take on far too great a
228task, and, with the introduction of some disagreeable character
229relations, fails to execute the story as well as it could have
230been. Still, it was worth reading to the end even though most of the
231stories after issue 35 or so were merely ok. If you like Kierkegaard I
232suggest issues 2, 3, and 62--they show the form of the incommensurable
233relation of the single individual to the absolute perfectly.
234
235
236* Confucius
237
238
239
240** Analects
241
242*Nonfiction*
243
244
245
246
247* Neil Gaiman
248
249
250
251** The Sandman (series)
252
253*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction*
254
255Perhaps the best comic book series of all time; I would say *The
256Sandman* as a whole ranks higher than anything even Alan Moore has
257written.
258
259
260** Good Omens
261
262*Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction*
263
264A friend of a friend decided one evening that I needed to read
265so-called *normal people books*, and so she lent me *Good Omens*. It
266was an enjoyable read and unearthed vague memories of comic book
267magazines I read when I was small and the name *Sandman*; thus through
268one book I found something far greater.
269
270
271* John Taylor Gatto
272
273Former teacher and now author-activist.
274
275** Underground History of American Education
276
277*Rating:* <class name="rating-good"> •••••••••</class><class name="rating-bad">• </class> (9) / *Nonfiction*
278
279An interesting *underground* history of the American education
280system. Available
281[[http://www.johntaylorgatto.com/underground/][online for free]].
282
283
284* Kahlil Gibran
285
286Kahlil Gibran is fairly interesting; his earlier works do not
287agree with my æsthetic sense (blah blah), but *The Madman* onward are
288all rather nice. A few of his works are
289[[http://leb.net/~mira/][online]], but I recommend scouting used book
290stores for old hardcover editions. The (late 90s onward at least)
291*hardcover* versions from *Alfred A. Knopf* are in fact permabound
292paperbacks with a hardcasing, and are of seriously inferior quality to
293the editions from the 50s and 60s (and cost quite a bit more,
294naturally).
295
296** A Tear and a Smile
297
298*Rating:* <class name="rating-good"> •••</class><class name="rating-bad">••••••• </class> (3) / *Fiction*
299
300One of Kahlil Gibran's earlier works, I did not much like *A
301Tear and a Smile* excepting the last poem ("A Poet's Voice").
302
303
304** The Prophet
305
306*Rating:* <class name="rating-good"> •••••••••</class><class name="rating-bad">• </class> (9) / *Fiction*
307
308
309
310
311** Sand and Foam
312
313*Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Fiction*
314
315An interesting little book of aphorisms.
316
317
318** The Madman
319
320*Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction*
321
322
323
324
325* Homer
326
327
328
329** The Odyssey
330
331*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction*
332
333
334
335
336* Aldous Huxley
337
338Perhaps the most overrated modern writer. Other people have written
339everything he has to write better and many years before he got around
340to it.
341
342** The Doors of Perception
343
344*Rating:* <class name="rating-good"> </class><class name="rating-bad">•••••••••• </class> (0) / *Nonfiction*
345
346Huxley stains the name of Blake by naming this horrible
347pseudo-scientific and pseudo-poetic essay after a line from *The
348Marriage of Heaven and Hell*. Subjectivity and objectivity are
349incommensurable; his attempt and being subjectively objective is
350utterly worthless.
351
352
353** Heaven and Hell
354
355*Rating:* <class name="rating-good"> </class><class name="rating-bad">•••••••••• </class> (0) / *Nonfiction*
356
357Blah blah LSD blah blah Mushrooms blah blah Peyote blah blah I'm
358Aldous Huxley I'm a pretentious jerk. Don't bother.
359
360
361* William James
362
363
364
365** The Varieties of Religious Experience
366
367*Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Nonfiction*
368
369[[William James - The Varieties of Religious Experience][A partially finished extended summary]]
370
371
372** The PhD Octopus
373
374*Nonfiction*
375
376<quote>
377America is thus as a nation rapidly drifting towards a state of things
378in which no man of science or letters will be accounted respectable
379unless some kind of badge or diploma is stamped upon him, and in which
380bare personality will be a mark of outcast estate. It seems to me high
381time to rouse ourselves to consciousness, and to cast a critical eye
382upon this decidedly grotesque tendency. Other nations suffer terribly
383from the Mandarin disease. Are we doomed to suffer like the rest?
384</quote>
385
386[[William James - The PhD Octopus][Full Text]]
387
388
389* Henry James
390
391The novelist brother of William James; I've not read many (read:
392one) of his books, but what I did was decent.
393
394** The Altar of the Dead
395
396*Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Fiction*
397
398A short novella about a man who maintained an altar in a church
399for all of his lost loved ones on the surface, but something a bit
400more beneath.
401
402
403* Gregor Kiczales
404
405
406
407** The Art of the Metaobject Protocol
408
409*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Nonfiction*
410
411AMOP is useful as a reference to the CLOS MOP (although less so with
412the online MOP spec), but the true value of the book lies in the first
413half of the book. It presents the design of the CLOS MOP through a
414series of revisions that fix limitations of earlier implementations
415and gradually work toward a generic and well designed MOP for
416CLOS. Through that process one is made more aware of a few general
417object protocol design skills, and gains insight into how to cleanly
418make mapping decisions customizable.
419
420
421* Søren Kierkegaard
422
423Kierkegaard was a master of style and philosophy; his writing is
424interesting even if one finds the theistic extentialism espoused
425disagreeable.
426
427** Sickness Unto Death
428
429*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Nonfiction*
430
431I purchased this when I was looking through books at a store after
432being unable to find the book I really wanted, and I must say that it
433was better for me to have found this one.
434
435Contained within is a beautiful analysis of despair in the context of
436Christianity (really theism in general). Even if the argument offends,
437the presentation cannot. The dialectical nature of despair is
438reflected in every aspect of the work, and the method of presentation
439forces reflection.
440
441
442** Either/Or
443
444*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Nonfiction*
445
446Composed of two portions, *Either/Or* is a rather lengthy but
447rewarding read. The first book is a series of essays and a diary of a
448young esthetician; the second is a pair of long letters from an older
449ethicist friend to this esthetician. You are then left to resolve the
450conflict between the views.
451
452
453** Fear and Trembling
454
455*Nonfiction*
456
457An interesting dialectical lyric contrasting Despair and Faith.
458
459
460** Repetition
461
462*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Nonfiction*
463
464He who despairs of esthetic repetition gets none; he who despairs
465of ethical repetition receieves the esthetic. Is it true then that no
466repetition exists? Is transition all one can hope for?
467
468
469* Alisa Kwitney
470
471
472
473** Destiny: A Chronicle of Deaths Foretold
474
475*Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction*
476
477
478
479
480* David Lamkins
481
482
483
484** Successful Lisp
485
486*Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Nonfiction*
487
488After learning Scheme, I read *Successful Lisp* and was able to
489pick up Common Lisp fairly easily.
490
491
492* Mencius
493
494
495
496** Mencius
497
498*Nonfiction*
499
500
501
502
503* Walter Miller
504
505
506
507** A Canticle for Leibowitz
508
509*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction*
510
511
512
513
514* Alan Moore
515
516
517
518** Watchmen
519
520*Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction*
521
522
523
524
525** V for Vendetta
526
527*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction*
528
529
530
531
532* Thomas More
533
534
535
536** Utopia
537
538*Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Fiction*
539
540I read most of Utopia in high school with the TI-89 ebook reader, but
541the way the book was split up made it a bit difficult to grasp the
542overall structure. I found a copy at a used book store one day, and so
543I read it again, and found it much more comprehensible. It is a quick
544read, and decent piece of literature. The interesting social system
545espoused resembles resembles state communism (even if perhaps as a
546negative ideal), but with an strange blend of 14th century European
547social customs.
548
549
550* Friedrich Nietzsche
551
552A bit acerbic and esoteric, Nietzsche is for me a good *secular*
553counterpart to Kierkegaard's theistic philosophy. Nietzsche's
554polemical works raise important questions for anyone who reads works
555on ethics. As such it is a shame that he has gotten a bad reputation
556by being read by far too many angsty teenagers who see (and relay)
557only Nietzsche the asshole rather than Nietzsche the master of the
558polemic.
559
560** Beyond Good and Evil
561
562*Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Nonfiction*
563
564A somewhat more comprehensible, if a bit less aesthetically
565pleasing, presentation of much of the philosophy found in *Thus Spoke
566Zarathustra* in the negative form. The final chapters are very
567important (not to detract from the value of the rest of the work) if
568one wishes to understand *On the Genealogy of Morals*.
569
570
571** On the Geneaology of Morals
572
573*Rating:* <class name="rating-good"> •••••••••</class><class name="rating-bad">• </class> (9) / *Nonfiction*
574
575*On the Geneaology of Morals* is a wonderful book of three
576polemical essays on the origin of moral/ethical valuations, and the
577blindness of modern philosphers whose very thinking is tainted by
578these valuations unknowingly.
579
580
581** Ecce Homo
582
583*Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Nonfiction*
584
585*Ecce Homo* is Nietzsche's very strange autobiography and
586explanation of his own works. At points it is clear that it could have
587used a bit more editing (prevented by Nietzsche ... falling into a
588catatonic state and all), but is still a very useful book to read as
589Nietzsche explains the overall structure of his works.
590
591
592* George Orwell
593
594
595
596** 1984
597
598*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction*
599
600
601
602
603** Animal Farm
604
605*Fiction*
606
607
608
609
610* Plato
611
612
613
614** Symposium
615
616*Fiction*
617
618
619
620
621** Euthyphro
622
623*Fiction*
624
625
626
627
628** Apology
629
630*Nonfiction*
631
632
633
634
635** Crito
636
637*Fiction*
638
639
640
641
642** Phaedo
643
644*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Nonfiction*
645
646
647
648
649** Protagoras
650
651*Fiction*
652
653
654
655
656* Luke Rhinehardt
657
658
659
660** The Dice Man
661
662*Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Fiction*
663
664<quote>
665And it's his illusions about what
666constitutes the real world which are
667inhibiting him...
668His reality, his reason, his society
669...these are what must be destroyed
670</quote>
671
672A quotation from one of my [[http://en.wikipedia.org/wiki/Slaughter_of_the_Soul][favorite metal songs]] inspired me to grab
673this book; at worst it would be a waste of time. Much reward was found
674in this random stab in the dark. The book is framed as an
675autobiography of the author as a psychoanalyst, and his progression
676through life as a Dice Man after deciding to live his life through
677random chance.
678
679The style, plot, and content are equally neurotic; part comedy, part
680attack on psychoanalysis, and part deep philosophy. It was often
681difficult to put down, and was read in under a week of spare time.
682
683
684* Neal Stephenson
685
686
687
688** Snow Crash
689
690*Rating:* <class name="rating-good"> •••••••••</class><class name="rating-bad">• </class> (9) / *Fiction*
691
692As one must read the *Bible* to understand English literature, so one
693must read *Snow Crash* today to be a nerd. In the realm of modern pop
694fiction this is one of the better books I've read; it was devoured in
695a mere four nights. Neal Stepheson may not be Milton, but he does come
696up with enganging tales. *Snow Crash* has a nice undertone of (quite
697accurate) political and social commentary that makes it worth reading
698as more than mere cyberpunk fiction.
699
700
701** Cryptonomicon
702
703*Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction*
704
705I read *Cryptonomicon* when it was new, and at the time I thought it was
706good. It could have lost a hundred or so pages without detracting from
707the plot, but it was easy reading and didn't take very long to
708finish. The story was enganging, and the continual switching between
709the 1940s and present day slowly unravelled the tale in a nice way.
710
711I'd still have to recommend *Snow Crash* if one wished to read only one
712Stephenson novel.
713
714
715* Bjarne Stroustrup
716
717
718
719** The C++ Programming Language (3rd edition)
720
721*Nonfiction*
722
723Once upon a time I was fifteen and I read this book. It was more
724or less what taught me how to write programs just large enough to do
725useful things, and so shall forever be remembered by me. A year and a
726half later I stumbled upon a little language called Scheme and fell
727down the rabbit hole.
728
729
730* JRR Tolkien
731
732
733
734** The Lord of the Rings
735
736*Rating:* <class name="rating-good"> •••••••••</class><class name="rating-bad">• </class> (9) / *Fiction*
737
738
739
740
741** The Silmarillion
742
743*Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction*
744
745
746
747
748** The Lost Tales
749
750*Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Fiction*
751
752
753
754
755* H.G. Wells
756
757
758
759** The Island of Dr Moreau
760
761*Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Fiction*
762
763
764